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(Frankenstein)
(Dragon)
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The Stereo Times
Electronics Show 2008
--------------------------------------

Coincident Technology: Israel Blume found a great way
to get people into his Coincident Technology room: have an attractive and quite pleasant young lady greet you at the door.
The young lady was a ravishing redhead named Eve Ren but let’s be honest, she wasn’t the only reason to stop in this room. Blume was demonstrating a Coincident Technology system featuring a pair of Pure Reference loudspeakers ($22,000/pr) being driven by his own Dragon 211PP and M300B Frankenstein mono amps. An Audio Aero CD player was the front end source.
Audiogon.com
Electronics Show 2008 Pictures
--------------------------------------
Stereomojo.com
Consumer
Electronics Show 2008
--------------------------------------
Hard to resist entering a room that has a stunning redhead outside inviting people in, but we're glad we did. The sound in the coincident room was wonderfully musical, no edge or glare - pure. The speakers are the no-compromise Pure Reference at only $22,000/pr. Pretty cheap for a top of the line big box. The Pure References can be easily driven to concert hall levels by low powered tube amplifiers (3 watts or more) because they possess the 5 requirements which make this possible:
- 1. High sensitivity (94 db @1m-1 w).
- 2. Uniform high impedance modulus (flat 8 ohms).
- 3. Total absence of any hard phase angles (meaning they are absolutely phase coherent electrically).
- 4. Very tight bass tuning (which makes it easier for low damping factor- high output impedance amplifiers like SETs to control the woofers).
- 5. Simple first order crossovers which do not rob amplifier power or reduce speaker sensitivity.
Oh yeah. The speakers were the Pure Reference with 94dB sensitivity and a price of $22,000 - Israel's statement speaker.Like we said at the beginning of this report, it is impossible to critically evaluate a system under show conditions, but we can say this; this system was one of the most memorable of all we heard. First, the big speakers completely disappeared in the rather small room with no apparent, special room treatment. What remained was exactly what the speaker moniker describes - it was pure, and it was reference quality. Israel told us he puts much emphasis on soundstage and imaging in his designs and that is exactly what we heard.The sound was immersive and enveloping. It drew us in and held us captive. Mesmerizing. Captivating. Full range and full scale and linear. At around $30k, this system was far from the most expensive - other systems we heard were north of $250,000, but none was significantly better than this for us.I got to spend some time talking to Mr. Blume and I came away knowing this guy "gets it" and knows his stuff. He also has a consuming passion for music and audio. In short, he made some new fans. Thanks, Israel.
Stereomojo.com
Consumer
Electronics Show 2008
--------------------------------------
The Coincident M300B Frankenstein MK II mono amplifiers were playing. We didn't even know Coincident made amps. Israel Blume told us he's been making speakers for 15 years and amps now for about year. "I can't make the amps fast enough. They are continually back ordered."
Israel also makes the Dragon (we love these dramatic names) 211PP monoblocks. They feature a 6EM7 super tube for input, 300B Driver Tube (no pentode tubes used in this DHT design), Dual 211 output tubes in a push pull configuration to produce 80 wpc. "They sound more like 150 wpc because of the huge power reserves of the 211's", says Mr. Blume. He also uses Alps volume pots so they can be used sans preamp. $8999 Cdn/pr. includes freight. He was running the $13,000 Audio Aero SACD player direct.
Positive Feedback Online
Consumer
Electronics Show 2008
--------------------------------------
Coincident Pure Reference Loudspeakers.
Positive Feedback Online
Consumer
Electronics Show 2008
--------------------------------------
Coincident Speaker Technology featured their own Dragon 211PP and M300B Frankenstein monoblock amplifiers.
Positive Feedback Online
Consumer
Electronics Show 2008
--------------------------------------
In the Coincident room they used an Audio Aero Prestige SACD player, and of course the room was wired with Coincident Extreme cables.
Enjoy the Music
Consumer
Electronics Show 2008
--------------------------------------
Coincident Speaker Technology had their Pure Reference ($22,000) that is easy to drive with a near flat 8 Ohm load and 94.dB/W/m sensitivity. Single-ended triode friendly territory! It uses ceramic technology for both the tweeter and midrange, with a pair of 12-inch Nomex cone woofer. Frequency response is a true and real 20Hz to 27kHz.


Enjoy the Music
Consumer
Electronics Show 2007
--------------------------------------
Coincident Speaker Technology was jamming out with their way cool Total Eclipse II ($8,999) large floorstanding unit. And hey look kids; there is Israel who is the owner and chief designer standing proudly with his new baby. This is an update of the original version, which was a TAS Golden Ear award winner. Now it has been improved in many ways including extender feet with large spikes, Extreme series copper internal wiring, crossover changes, and further development in port tuning.
Stereo Times
Consumer
Electronics Show 2007
--------------------------------------
Israel Blume, designer behind Coincident Loudspeakers, is quite the happy chap these days representing the Manley Tube Flag of Audiophiles with his newest affordable loudspeaker in the Total Eclipse II ($8,999). Yours truly reviewed Blume's original Eclipse back in 2000 and was quite impressed not only by the wonderful sonics that came via this 94 dB/14 Ohm stress-free design, but also its real-world price tag.



Enjoy The Music
Consumer
Electronics Show 2006
--------------------------------------
Coincident Speaker Technology's Israel Blume exhibited with the Manley Lab folks. Here he declared total victory with the Total Victory II ($12,999/pair), an updated version of the speaker originally reviewed in The Absolute Sound. Sensitivity is stated as 97dB/W/m with a nominal impedance of 10 ohms; highly suitable specs for low-power SET drive.


Positive Feedback Online
Consumer Electronics Show 2005
Issue 18
-------------------------------
And now on to my Seven Sensational Systems—my picks for top sound at the show:
The Best Glued-to-the-Couch Sound among the Sensational 7 Systems was provided in spades by EveAnna Manley of Manley Laboratories and Israel Blume of Coincident Speaker Technology. EveAnna was using her Steelhead phono preamp, the Wave DAC/Preamp, and Snapper monoblock amps to run Israel's Super Eclipse speakers, in a dramatically lit room.
Sources were a VPI TNT HR-X turntable and a SimAudio Nova CD transport, and cables were all from Coincident. It was chills-down-the-spine time in this room, and the reproduction of Stan's recording of Tom Loncaric was phenomenal, to the point that Stan simply didn't want to leave. This year, more than ever, made me want to get this system into my own listening room for comparison. Bravo.
Hi-Fi+
Consumer Electronics Show 2005
-------------------------------
One of my favorite sounds was caught in the Coincident Speaker Technology/ Manley Audiolabs room. Listening to the Super Eclipse III speakers with the Manley Snapper amplifiers and Steelhead phono section was a real aural treat. My hats off to Israel Blume and EveAnna Manley for a very musical and enjoyable set up. This was another room I returned to several times.
Bound For Sound
Consumer
Electronics Show 2005
January
2005
-------------------------------
Coincident Loudspeakers was displaying the very same
speaker that I had just finished auditioning. What
happened was, when I finished with my audition I sent
the speakers to Manley, who then took them to Vegas.
Israel Bloom relies on Manley tube electronics to
get the best from his speakers and I can see why.
As you'll see in the review, the Super Eclipse has
a room filling sound that is ultra rich in textures
and tones. This is an emotional sounding speaker that
is capable of capturing the soul of a recording -
but it does so best with tubes. The best speaker that
I have heard from Coincident yet.
The Absolute Sound
Consumer Electronics Show 2005
-------------------------------
Coincident Speaker Technology teamed (once again) with Manley Labs to unveil the new Super Eclipse III ($5999), a floorstander with a D'Appolito mid-tweeter section and side-firing woofers. The sound was bold, tuneful, and detailed with Manley's tube gear: the $7300 Steelhead phono preamp (TAS' 2004 Preamp of the Year), $7500 Wave DAC, and $4500 Snapper amps. A VPI TNT-HRX turntable ($10,000) and Simaudio Nova transport ($4000) provided the tunes, while Coincident cables tied it all together. By the way, given the presence of EveAnna Manley, every audiophile's dream babe and all-around great gal, this was also the most fun room at the show.
Wayne Garcia's Best of Show - Greatest Values: Coincident Super Eclipse III.
Stereophile
Consumer Electronics Show 2005
-------------------------------
Eveanna Manley showed off her new remote-controlled Prawn line stage (ca $6000), matching it with the new Super Eclipse Series III loudspeakers ($5999/pair) from Coincident Speaker Technology. Lively, engaging sound and good company are reliably on display in the Manley Labs/Coincident room.
Enjoy The Music
Consumer
Electronics Show 2005
-------------------------------
It is a conspiracy I tell ya'! Manley Labs and Coincident
loudspeakers are in cahoots! This is the seventh year
running for these two companies sharing a room. This
year's setup includes the Manley Labs Steelhead phono
and Snapper amplifiers while the loudspeakers are
the Coincidence Super Eclipse III. So how did it reproduce
music? This rooms rocks along and like previous years,
is always a welcome relief.
Positive Feedback
Online
Consumer
Electronics Show 2005
-------------------------------
Manley Labs with Coincident Speaker Technology. Really
good sound, really good people. Manley gets it.


Hi-Fi+
Le Festival Son et Image de Montréal 2004
--------------------------------------
Israel Blume of Coincident Speaker Technology was getting some good sounds with a small speaker system in a room located across the street at the Sheraton Four Points. Coincident has seen many favourable reviews in North American magazines. They can be located at http://www.coincidentspeaker.com. I will be contacting Israel in the future to see what we can line up since we both live in Toronto.
2004 Festival Son & Image - Stereophile
July 2004
---------
Coincident Speaker Technology had the Series II version
of their floor-standing Partial Eclipse ($4500 Cdn/pr.),
now completely revised from the original model: new
tweeter (a special version of the famous Revelator),
midrange and woofer, with corresponding crossover
changes. With a very useful 92 db sensitivity, the
Partial Eclipse Series II sounded first- rate driven
by Coincident's MP 300B amplifier ($5200 Cdn.)
Enjoy The Music
Le
Festival Son et Image de Montréal 2004
--------------------------------------
Having
encountered my friend Israel Blume at the cocktail
party the night before, I knew just what to expect
when I entered his Coincident Speaker Technology room.
Again, this year, there was the bare bones room with
electricity coming right out of the wall into the
components. Using the same out of production CD player
and preamplifier as last year, he managed to borrow
a couple of his beautiful 18 watt tube monoblocks
from a customer - they sell so fast that he never
has any in stock - at $4,000/pr US. The cabling, of
course, is his, too. I had the good fortune to sample
his reasonably priced CST 1 speaker cable during some
reviews last summer and found them very synergistic
with my Partial Eclipses. The treat, this year, was
having an opportunity to compare the Partial Eclipse
(now, $3,500 US) with the newer Super Eclipse ($6K US), which uses the same drivers, but doubles up on
the mid-range and side-firing woofer.
With the extra drivers, the Supers need a somewhat
larger cabinet, but both have the same excellent wood
veneering and style that fits so well into virtually
any environment. Using a familiar CD, it took me all
of three seconds to lock in on the familiar sound
of the Partial Eclipses, which still grace my home
with music. Switching over to the Super Eclipse while
the music continued to play, the result was stunning.
Israel asked me if I would like a pair for review.
I said I can do that in two words: Mo' Better! Or
is that only one and a half? Anyhow, save the shipping
costs, Israel. With the same sonic signature as the
Partials, the Super Eclipse is more than twice the
loudspeaker at less than twice the price. Everything
gets better - dynamics, transparency, fullness, bass,
soundstaging, smoothness, even the treble. And in
a parting perception, I noticed the loudspeakers were not even on their brass spikes! Of course those beautiful
monoblocks might have been contributing something,
too.
Coincident Speaker Technology was using owner Israel
Blume's personal Alchemist Forsetti APD33A drive and
APD34A DAC to show off the Coincident MP300B single-ended
monoblock amplifiers ($3,999 USD/pair) that powered
the Coincident 3-way Partial Eclipse Series 2 speakers.
($3,500 USD/pair). I have never heard the Barenaked
Ladies ! sound so present in their recording "Hello
City" as I did in that room. Their first CD has
a lot of vocal information that not every system captures.
Not only did the realistic mid-range that one expects
of a single-ended 300B amplifier come through the
Coincident loudspeakers, the bass and horn harmonics
were so true that the room came alive. Similarly for
Lorna Hunt's recording, playing when we first entered
the room.


TAS 2004 CES Show Report
--------------------------------
Manley Labs is always good for something new in vacuum
tubes, and did not disappoint. The new (approximately)
$3500 Prawn linestage was on static display, while
LPs were channeled through the $7300 Steelhead phonostage
and CDs through the $7500 Wave linestage/DAC- all
played back through Israel Blume's latest effort,
the 100db/watt-sensitive Coincident Speaker Technology
Grand Victory. The sound was open and clear, with
great midrange and midbass rightness and plenty of
dynamic gusto. These two manufacturers always seem
to put together a great sound at the show, though
for some reason the LP sound wasn't up to the digital
this year.
Manley Labs CES 2004 Gallery
-----------------------------------
Once again we exhibited with
Manley Labs.
NEO Classic 300B amps drove the Grand Victory's, with
a front end consisting of Manley Wave DAC and VPI
HRX turntable. All cables were Coincident.
Positive-Feedback.com
CES 2004 Inmate Picture Gallery
Clicking HERE opens a new window.
Audioasylum.com
CES 2004 Inmate Picture Gallery
Clicking HERE opens a new window.
Audiogon.com
CES 2004 Picture Gallery
Clicking HERE opens a new window.

Enjoy
The Music.com
The
2004 CES
-------------
Coincident had their Grand Victory ($9,500 per pair)
was specifically designed for low wattage tube amplifiers.
This 100dB/W/m design presents a virtually flat 8-ohm
load with a frequency response from 30Hz to 45kHz.
They are a hefty 250 lbs each, so bring a friend during
installation.


Enjoy
The Music.com
Le Festival Son et Image
de Montréal 2003
Coverage
by Rick Becker
-----------------
Israel
Blume of Coincident Speaker Technology recognized
me with a rare smile when I finally found his
room. I had reviewed his Partial Eclipse Series II
model last summer, and have been using them as my
reference ever since. He was demonstrating his newly
updated Super Eclipse that basically uses the same
drivers from the Partials installed in the Super Eclipse
cabinet. The new Super is a little taller and a little
deeper than my Partials, using a D'Appolito configuration
of tweeter and two midrange drivers, and two side
mounted 8" woofers. In the modest size hotel
room, it had a familiar sound, but greater transparency
than I had been able to realize in my own system.
I figured it must be the lively, bare-bones hotel
room, or Israel's penchant for tube amplifiers. Speaking
of which, his Coincident tube amplifiers were nowhere
to be seen this year. He had sold out of them, and
the new shipment from China was overdue. Small wonder,
from what I heard last year. But fear not, he had
cobbled up a system with a discontinued gold and silver
Alchemist CD player, pre-amplifier, and a pair of
Antique Sound Labs Hurricane tube monoblocks running
at 100 wpc in triode mode. With his high efficiency,
tube-friendly speakers, the amplifier was way overkill.
The glass Golden Ear award from The Absolute Sound
atop one of the speakers kind of said it all.
Israel was kind enough to share some feedback he received
from people who had read my review of the Partials.
This, along with the arrival of a pair of Manley Mahi
monoblocks, and the loan of some Coincident speaker
cables, will lead to an enlightening follow-up review
in the near future. Stay tuned to this station.

Enjoy
The Music.com
The
2003 CES and T.H.E. SHOW
------------------------------
EveAnna Manley of Manley Laboratories, with Israel
Blume of Coincident Speaker Technology set
up a room that sounded great as always. The Manley
Steelhead phono preamp, Wave preamp/DAC, and Snapper
monoblocks were powering a pair of Coincident Total
Victory loudspeakers. The sound in this room, from
a company that exhibits the Best Ability to Combine
Pro and High-End Hardware was live, coherent, dynamic,
integrated top-to-bottom, enjoyable, and fun.
The
Stereo
Times
The
2003 CES and T.H.E. SHOW
------------------------------
EveAnna Manley took time along with Coincident's Israel
Blume to smile for our camera. Driven with an all-out assault of Manley electronics driving a pair
of Coincident Total Victory loudspeakers ($11,500),
the sound was cohesive and as open as that relatively
small room could allow. Still, the soundstage capability
of the Total Victory eclipsed front wall and seemed
to come from a bigger and wider venue listening to
a variety of CD's I brought personally along. Needless
to say there's something special going on between
Manley and Coincident products. Synergy indeed.
Positive
Feedback
On
Line-Issue 5
The
2003 CES and T.H.E. SHOW
------------------------------
EveAnna Manley of Manley Laboratories, with Israel
Blume of Coincident Speaker Technology set up a room that sounded great as always. The Manley Steelhead
phono preamp, Wave preamp/DAC, and Snapper monoblocks
were powering a pair of Coincident Total Victory loudspeakers.
The sound in this room, from a company that exhibits
the Best Ability to Combine Pro and High-End Hardware was live, coherent, dynamic, integrated top-to-bottom,
enjoyable, and fun.


Enjoy
The Music
Le
Festival Son et Image de Montréal 2002
----------------------------------------------------------
I
suspect Israel Blume remembered me from the New York
show last year. He was much more reserved and let
his new Victory model speak for itself. I was so impressed
with this room I made sure I came back for a second
visit. The system was comprised of a Wadia CD player
feeding his MP-300B monoblocks with two 300B tubes
giving 18 watts. This was the first public showing
of these $3,495/pr USD monoblocks, which are a further
development of his SIP-300B stereo integrated amp,
which sells for only $2,395 USD. I'm sure the cables
were his own as well. The Coincident Loudspeaker Technology
Victory, at 97dB sensitivity, was born to be driven
by tubes, but only down to about 36Hz in order to
keep its size under control, and its price down to
$4,599 USD/pr. I played the drum cut from the Burmester
3 CD and this system was absolutely tight. Timbre was accurate, the sense of space was easily reproduced,
and all at a very loud level, albeit in one of the
smaller hotel rooms. The loudspeakers did not want
for power from these Asian built amps. I thought about
asking for a review pair, but when I got home and
read the rave review in his handout, reprinted with
permission from AVguide.com, there was nothing more
that needed to be said. If you need lower bass, or
have a large room, you will just have to up the ante upwards of $11,500 USD for his larger Total Victory
model. Did I mention that the woodwork was gorgeous
and the dynamics and transparency were outstanding?
Be sure and check these out at the New York show if
you go.
Listener
Le
Festival Son et Image de Montréal 2002
May/June
2002 - Volume 8, No.3
----------------------
And Israel Blume of Coincident Speaker Technology
was showing his new $11,500 Total Victory that, in
spite of its complex appearance, maintains 97dB sensitivity
and a 10-ohm nominal load. Playing LPs and using Manley
electronics helped to show how good this speaker can
be.
Stereophile
Le
Festival Son et Image de Montréal 2002
Canadian Audio Report
---------------------
Coincident Speaker Technology has been doing well
with their latest high-sensitivity speakers; they
now have matching amps: the SIP300B integrated (Cdn.$3749)
and MP300B monoblock (Cdn.$5499/pair). Crisp, dynamic
sound was the hallmark of Coincident's Victory loudspeakers
(Cdn.$6999).

Enjoy The Music
Le
Festival Son et Image de Montréal 2002
--------------------------------------
Canadian loudspeaker manufacturer, Coincident Speaker
Technology, has decided to join the pack of high-end
manufacturers offering a complete system to its customers
with the introduction of its 18-watt 300B-based MP300B
monoblocks ($3,495 per pair USD) and its own line
of cables.
The MP300Bs were used along with a Wadia CD player
to drive a pair of the 97dB efficient Coincident Victory
($4,499 USD) four-way loudspeakers. The Victory was
finished in a lovely real cherry veneer (hey, just
quoting the designer folks!) and I was quite impressed
by their immediacy and sense of pace. If you are looking
for a full-range floor-stander to try with a single-ended
amplifier, this is one worth considering

POSITIVE
FEEDBACK ONLINE - ISSUE 1
Music, Sound and Personalities: The 2002 WCES and
T.H.E. Expo
by
Dave Glackin
---------------
The
Best Merger of Audiophile and Pro-Audio Sensibilities
was much in evidence at Manley Laboratories (www.manleylabs.com).
The ever upbeat and take-no-prisoners EveAnna Manley
was showing off the highly acclaimed Manley Steelhead
phono preamp, which has an incredible array of useful
features right on the front panel, and the usual high
build quality. EveAnna was also featuring an upgraded
Wave Preamp/DAC (with a new 24/96 board), and the
new Snapper 100 W monoblock. These were powering a
pair of Coincident Total Victory loudspeakers from
Israel Blume. (Hey, the solar astronomer here... me...
wants to know what happened to the Total Eclipse speakers
from last year. Have they been overshadowed by a newer
model?) There were many, many other Manley products
on static display, including the new entry-level Shrimp
preamp, along with veritable heaps of vacuum tubes that looked like they were recovering from a big party
the previous night. The sound of this system was thoroughly
enjoyable, relaxed, musical, dynamic, and F*U*N. The
LP reproduction was phenomenal. The CD reproduction
really floated my boat as well. It was one of the
very few rooms where I just wanted to sit and listen.
My hat's off to EveAnna (not that she ever takes hers
off) for taking the helm of this company and running
with it.

The
Best of the High End - CES 2002
Cost no Object Loudspeakers - Pushing the Limits
The
Absolute Sound - April / May 2002 - Jonathan Valin
---------------------------------------------------
I was also greatly impressed by the $11,500 Coincident
Speaker Technology " Total Victory ", (yeah,
I know), powered by Manley electronics. Soundstaging
was superb; timbres gorgeous.
Best - of - show for around ten grand.
The
2002 International CES Show
Stereophile-
Vol. 25, No. 4
------------------------
Coincident Speaker Technology brought along their
new Total Victory (11,500)-a serious statement speaker
featuring the ribbon tweeter Coincident debuted in
the smaller Victory, and four side-mounted 8"
woofers per cabinet. The Total Victory-a full range
speaker in the true sense of the term-sports a tube
friendly nominal impedance of 10 ohms, and partnered
perfectly with the new Manley Labs Snapper 100W tube
monoblocks, even taking into account EveAnna Manley's
penchant for ear -and speaker- busting volumes. Manley
and Coincident's Israel Blume were justifiably proud
of their new audio babies.
The
2002 International CES Show
Bound
For Sound-Issue 141
-------------------------
Coincident has been steadily building a rep for fine
loudspeakers. I have the Victory for audition and
the review should be forthcoming in the next issue.
In Vegas, Coincident was showing the Total Victory.
It's basically a Victory with more bass power. Immediately
I could tell the difference in the bass. In the mids
and highs the speakers sounded dead similiar. In the
bass the Total Victory may have been the Total Package.
The
2002 International CES Show
The
Stereo Times
Equipment
Lust in Las Vegas: Day Two
Greg
Weaver
22
January 2002
--------------
Moving
further into the burgeoning campus, I looked up Israel
Blume and EveAnna Manley, who were exhibiting together.
Coincident Speaker Technologies was showing the new
Total Victory ($11500), a very detailed and dynamic
loudspeaker. The Total Victory is a deeper, taller
version of the standard Victory ($4599). It is comprised
of a highly sensitive Kapton film isodynamic planar
tweeter and two 3" low-mass, fabric midrange
domes in a D'Apollito alignment. Two treated paper
6.5" woofers do all the low frequency work in
the Victory. In the new Total Victory, the 6.5"
woofers are relieved of the lowest registers, those
duties being handled by four 8" woofers per cabinet.
The result? One tremendously detailed and lifelike
speaker with some serious SLAM!
Manley Labs electronics were fronted with both digital
and analog, which was routed to the Steelhead phono
preamplifier ($7200). All signals were then routed
to the Wave 24/96 DAC/Preamp Combo ($7500). The Wave
fed the new 100 Wpc Manley Snapper monoblocks ($4250/pair).
The Snapper is a fully balanced, ultra-linear amplifier
utilizing a true 19 section output transformer that
took over 3 months and 18 prototypes to develop. I
can say that the results were worth it. Israel was
kind enough to put on a couple of old standards, James
Newton Howard & Friends [Sheffield Lab 23] and
John Klemmer's Touch [MFSL 1-006]. I have heard both
of these records on literally hundreds of systems
over the years, and I know them intimately. Though
I will apologize for the titles, I will not apologize
for the sonics. The Grand Victory/Manley combination
was superb. Outrageous bloom, excellent resolve and
blinding transients.
Enjoy
The Music
CES 2002
---------
Also in the Manley Labs room is the Coincident Speaker
Technology model Total Victory ($11,500) nine-driver
loudspeaker. There are four 8"heavy-duty paper
treated woofers, two 6.5" midbass drivers, two
3"fabric dome midrange and a single Isodynamic
planar ribbon tweeter. Frequency response is rated
from 26Hz to 40kHz with a high 97 dB/w/m sensitivity
(10 ohm load). This is a very low wattage triode friendly
design! Seen to the right is the 100-watt monoblock
Manley Labs Snapper amplifier ($4,250 per pair) that
uses four EL34 output tubes.


Enjoy
The Music
Home Entertainment 2001 Show
------------------------------------
In the Coincident Speaker Technology room I had an
interesting chat with Israel Blume, who apparently
didn't recognize me from the Montreal show, and didn't
notice my press pass. This fine line of speakers is
gradually moving up the food chain. I heard very nice
music from their14 ohm Total Eclipse model that replaces
the Millennium at $8,000. Shown in silent display
was their Victory model for $4,599 with 97dB efficiency
and 14 ohm impedance. Talk about tube friendly? Check
them out for some reasonably priced cables,too.
Stereophile
Oct/2001
Home Entertainment 2001 Show
------------------------------------
Israel Blume of Coincident Speaker Technology demonstrated
his new flagship loudspeaker, the Total Eclipse ($7999),
which proved warm, dynamic, and ultra- efficient (94db).
Employing a first order crossover network, a D'Appolito
driver configuration on a slender front baffle, and
mirror-imaged, side-firing 10" woofers, the Total
Eclipse provided a warm, relaxed presentation with
enormous impact.
The $ensible $ound
Issue 87
Home Entertainment 2001 Show
------------------------------------
Coincident Speaker Technology - Coincident of Canada
is an old friend for me-I reviewed their Troubador
Grand several years ago and was interested to see
that their line is now based on very different technology.
But it turns out that it's basically a new way to
achieve the same goal: the old speakers used coaxial
drivers for time alignment; the new ones use a D'Appolito
arrangement. They were showing the $8,000 Total Eclipse,
which includes two 10" woofers mounted on the
side of the cabinet, two 6.5" midranges in a
D'Appolito arrangement at the top of the front panel
around the 1" Scanspeak Revelator tweeter. Putting
the woofers on the side allows the cabinet to be thin
(9"), which somewhat disguises the bulk of its
height (52") and depth (22"). Sound was
very good: tight bass, lots of presence, very dynamic,
very natural sounding. This was the best sound so
far, but very expensive.
Designer Israel Blume suggested that the $3,000 Partial
Eclipse, a smaller version with only one woofer and
one midrange driver, would produce a similiar sound
at a more $ensible price. For those with a different
taste, Coincident also makes the UHS series of ultra
high sensitivity speakers designed for single -ended
triode tube amps.
Home Entertainment 2001 (Stereophile show)
Best in Show
-----------------
Robert Deutsch: In any case, the following were
some of my favorites:
Coincident Speaker Technology/Aero: Coincident's
room was next to the one that Stereophile Guide to
Home Theater editor Tom Norton and I shared, and sometime
around 5am of HE 2001's first day I was awakened by
music from next door . (Tom's sleep was protected
by his trusty earplugs.) I was annoyed by having my
sleep disturbed, but couldn't help noticing that the
music actually sounded very nice. The main speaker
being demoed was the flagship Total Eclipse, which
sounded even better when I listened to it in the Coincident
room.

The Absolute Sound
from Beautiful Gear-Photo essay
Coverage of the Home Entertainment 2001 Show
August/September 2001-issue 131
Also: Read
the online comments of Paul Bolin on the Coincident/Manley
display at the 2001 Consumer Electronics Show!


Stereophile
CES 2001 Show Report
Loudspeakers under $4000/pr
----------------------------
I saw two trends in this humble price range. First,
it is the rare manufacturer that is not expeditiously
tailoring its line to the needs of home theater and
multichannel, even if that firm's full-range speakers
are suitable for two-channel music. Second, there
is a continuing trickle-down of advanced technology
from the top-of-the-line models into this highly competetive
midprice market. Stalwarts like Coincident ...showed
models representative of both trends.
Shown: Coincidents's Israel Blume attends to his
Partial Eclipse, with the Total Eclipse standing tall
next to it.
Secrets
of Home Theater and High Fidelity
CES 2001 Show Report
--------------------------
Earlier we showed you the Manley Neo-Classic 300B
amplifiers. Shown at right, is a complete system context.
Included in the shot are the Coincident Total Eclipse
and Eclipse loudspeakers, the new Manley Steelhead
phono stage (1mm, 2mc inputs and fully tweakable to
get the last bit of performance from your cartridge)
and the Manley Wave DAC/preamplifier.

SoundStage!
CES 2001 Show Report
--------------------------
Coincident Speaker Technology Played the Total Eclipse
(left, $7999 per pair, and Partial Eclipse ($2995.
per pair), at various times in its room.
Enjoy the Music
CES 2001 Show Report
--------------------------
In the Manley Labs room were the wonderful Coincident
Speaker Technology Total Eclipse ($7,999, leftmost
loudspeaker) and Partial Eclipse ($2,999). The Total
Eclipse is 94 dB/w/m sensitive and presents a mere
14 ohm load so tube heads will love it! Frequency
response is 24 Hz to 30 kHz. The Partial Eclipse is
91 dB/w/ sensitive with a flat 8 ohm load. Frequency
is 30 Hz to 22 kHz. The tweeter and midrange drivers
are completely sealed within their own compartment.
The side-firing woofers help to reduce the front width
of the cabinet to enhance the imaging capabilities.


Enjoy the Music
CES 2000 Show Report
Jan 5 - 9, 2000
--------------------
The Best Sound from a Fleaweight Amp was to be
found in the Manley Laboratories room. EveAnna Manley
put together a knockout system, centered around the
Manley 300B Retro amps, and a pair of Coincident Technology
Eclipse loudspeakers from Israel Blume. Coincident
is a Canadian company that is new to me, although
they have been in business since 1988. This system
simultaneously produced slam and delicacy, with nearly
perfect tonal balance, outstanding transient response,
and excellent harmonic structure. This was one of
the systems that I most wanted to take home and play
with. The beautiful Stingray integrated amp was in
the room, but not playing when I was there. (It's
certainly a major contender for an incredibly musical
second system.) But where, oh where, EveAnna, was
the lava lamp?? Are you so busy with the day-to-day
operations of the company that you're starting to forget what's really important? Snap out of it!!


Enjoy the Music
Hi-Fi '99 Chicago
May 12 - 16, 1999
------------------------
The guys at Coincident Speaker Technology have
been hard at work and were showing their new
Super Eclipse ($4,995 US shown here) speaker.
With a D'Appolito-type design, the 1" titanium
tweeter is flanked above and below with a 5"
polypropylene midrange (upgradeable to magnesium as
shown here). Two side-mounted 8" paper-treated
cone woofers assist in the lower frequency reproduction.
Frequency response is claimed as 28 Hz to 35kHz.
They were using the Manley Labs 18 watts 300B triode
amplifier which were really putting out the sound
power. Sensitivity of these speakers is 92 db/w/m
with a easy-to-drive 14 ohm load. Single-ended tube
lovers take note!

Soundstage
Hi-Fi '99 Chicago
May 12 -16, 1999
-------------------
Coincident Speaker Technology's new Super Eclipse
loudspeakers ($4,995/pair) had those sitting head-on
wondering how the speakers delivered such deep and
powerful bass with just 4" drivers.
Bound For Sound - 12/99
HiFi '99 Show Report
----------------------------
Coincident Technology opened some eyes with the
introduction of its Millennium loudspeaker in Las
Vegas. The price for the Millennium is fairly steep
however, in line with the cost of constructing a speaker
of its sophistication, but steeper than many can afford.
Israel Blume, sensitive to the plight of many audiophiles,
introduced the new Eclipse($3995). With an impedance
of 14 ohms and sensitivity of 92db,the Eclipse seems
a sure match for many tube based systems. The speakers
in Chicago were driven by Manley electronics. The
major difference between the Eclipse and Millennium
looks to be the efficiencies gained by using single
cabinets for the mids and bass instead of the two
with the Millennium. Detailing and dynamics were in
absolute abundance, and the imaging was stunning in
its precision.

Israel Blume (left) of Coincident Speaker Technology
and Max Kreifeldt of cable manufacturer Silver
Audio


Audiophilia
Room of the Day CES '99
Hosted by Coincident Speaker Technology and WireWorld.
----------------------------------------------------------------------------
The Coincident Speaker Technology Millennium loudspeaker
(US$6995.00), Manley 300B monoblock amplifiers (US$5300.00),
California Audio Labs CL-25 CD player (US$2495.00)
and Wireworld Gold Eclipse cables. Israel Blume, designer
of the Milleniums, has a winner on his hands. The
speakers have superb tonal qualities and play with
amazing dynamics. The Millenniums made beautiful
music (from within a magnificently finished cabinet)
in great accord with the Manley monoblocks. This seems
to be a marriage made in audio heaven. The CAL CD
player and Wireword cable helped things along nicely.
Congratulations to all concerned.
Positive Feedback
CES '99 Show Report #1
--------------------------------
The Wireworld room was of course featuring the
Gold Eclipse III and the Comparator. I have frequently
been impressed by systems wired with Wireworld wire.
This system included the $6,995/pair Millennium speaker
from Coincident Speaker Technology which has a nominal
impedance of 14 ohms (with a minimum of 10 ohms and
a maximum of 16 ohms), a sensitivity of 92 dB, and
a frequency response of 28 Hz to 35 kHz. Here is a
speaker ready for the 7 watt SET and the low powered
OTL amps. It was powered by a pair of the Manley SE/PP
300B "Retro" triode mono blocks which can
be switched back and forth from paralleled single
ended to push-pull while the music is playing. They
also have adjustable negative feedback. The DAC was
a CAL Alpha with tubed output, and the overall sound
of the system seemed very good, very immediate, and
had good bass. Unfortunately there was quite a large
and noisy crowd in the room, so I didn't get the best
listen, and time ran out before I made it back for
another try.
Secrets of Home Theater & High
Fidelity
CES '99 Show Report
----------------------------
Attention tube lovers! Israel Blume, the ambitious
and very talented designer of the Coincident Speaker
Technology line, took advantage of CES '99 to debut
a speaker system with YOU in mind. The new Eclipse,
shown on the right, is a direct descendent of their
flagship Millennium loudspeaker, but it checks in
at a price tag of just $3,995/pair, in a gorgeous
Cherrywood veneer. Imagine the wild tube audio thoughts
running through my head when Israel informed me that
the Eclipse has an impedance of 14 Ohms and is 92
dB efficient! (Tube amplifiers love high impedance,
high efficiency speakers.) Frequency response reaches
all the way down to 28 Hz by using dual, side-mounted
8" long-throw woofers. Folks, I heard these speakers
driven by the 18 wpc Manley 300B amps with the new
Cal Audio Labs CL-20 CD player at the source, and
the sound was stunning. It was more powerful and dynamic,
yet so sweet and open sounding, than it had any right
to be. And get this -- they weren't even fully broken
in yet! A shipping error had delayed their arrival
at CES, and Israel had just set them up a few hours
before I arrived. I must get to know this company
because their entire lineup of speakers are designed
to be compatible with low-to-modestly powered tube
equipment (and they do just fine on solid state too,
I've heard). Congrats to Israel on some of the finest
sound I heard at the Show.


Belgrade, Yugoslavia October 23-25, 1998
First Yugoslavian Audio Exhibit
-----------------------------------
Sretenovic, the distributor of Coincident Speaker
Technology, was awarded room of the show for
overall excellence of sound at the First Yugoslavian
Audio Exhibit. On display was the Coincident
Conquests being driven by Cary SE 572 amps.


Soundstage
CES
'98 Standout Room Report
----------------------------------
Our writers pick their favorite rooms from CES '98
John Upton chooses:
Coincident / Atma-Sphere
Tube amplifier lovers on a speaker budget should definitely
consider checking out Coincident Speaker Technology's
"Super Conquest" floorstanders. With a stated
efficiency of 91 dB/W, bass performance reaching down
into the mid 20Hz range, and an easy 8 ohm load, the
Super Conquests would appear to be a ideal partner for
all but the most anemic tube-based power amps. What
makes the Super Conquests truly stand out in my mind,
however, is their ability to deliver the full range,
tube-friendly sonic goods at a price of just $2,499.
Powered by Atma-Sphere's much heralded M-60 Mark II
OTL mono block amplifiers ($3,795/pair), the Coincident
/ Atma-Sphere system projected a superbly listenable
sound that was detailed, extended, and complete.
Soundstage
WCES - Las Vegas - '98
-------------------------------
Canada's Coincident Speaker Technology and well-known
OTL-amplifier manufacturer Atma-sphere shared a room.
This was an analog-only room, not a CD to be found.
Israel Blume, president of Coincident, brought his
new $2,495 Super Conquest full-range floorstanding
speakers. Doug Schneider currently has these loudspeakers
in for review. Rather than mass loading the
speaker, Blume chose to deal with resonances via cabinet
design. Source components were a modified Empire turntable
(circa late 60s), SME 5 tonearm and Grado cartridge.
The preamp was Ralph Karsten's $3,800 Atma-sphere
MP3, and amplifiers were Atma-sphere M60 MkII OTL
monoblocks, also priced at $3,800 (per pair).


Stereophile, April 1997
WCES - Las Vegas '97
-----------------------------
Another floorstanding speaker offering a lot for
the dollar is the new Conquest ($1495) from Coincident Speaker Technology. These simple
but attractive two-ways have a 92dB sensitivity so
you single-ended guys can dig 'em. They sound great,
with a deep, well-focused soundstage. Perhaps it's
no coincidence that Coincident was using only vinyl
in their room.
The Absolute Sound
WCES - Las Vegas - '97
-------------------------------
Ralph Karsten demoed redesigned, retro Atma Sphere
M-60 MK II OTL amps ($3290/pr.) with approximately
one ohm output impedance. The system included Israel
Blume's Coincident Conquest ($1495/pr.), Atma
Sphere preamp and way more retro gear - an ancient
Empire turntable with an SME V speakers arm and Benz
cartridge. GREAT DEMO!


Soundstage
"CONQUISTADOR"
FESTIVAL DU SON ET DE L'IMAGE '97
March 7-9, 1997
----------------------
(DAS)
Local Montreal high-end dealer Codell Audio had a
great room centering on the Coincident Speaker Technolgy
Conquest ($1995) driven by Golden Tube SE-40 amplifier,
the Golden Tube SEP-1 preamp, and the Rotel 990 CD
player. I recently gave the Conquest a very favourable
review here on SoundStage! where I commented on the
use of the Conquest with low powered amps. I'm overjoyed
to say that, judging by the sound in the Codell room,
my hunch that the Conquest would be a perfect match
for an amp like the SE-40 was right. The sound was
liquid and squeeky clean. An excellent setup that
was surely some of the finest sound of the show.
(JS) This room had some of the best mids and highs
of the show, and the overall sound was terrific. It
was my first chance to hear the Rotel 990 (We have a
review on this somewhere don,t we?) and it was well
matched with the other components. This is another example
of how equipment matching can make moderately priced
equipment compete with the big boys.


Soundstage, October 1996
Canadian Consumer Electronics Exposition 1996 Report
-------------------------------------------------------------------------
Now, up to the second floor where I happened upon
Israel Blume of Coincident Speaker Technology.
As you may or may not be aware, I reviewed his new
sub-$1000CDN loudspeaker called the Triumph (full
review found elsewhere on Soundstage! and well worth
checking out). The Triumph produces great sound that
belies it's low-low asking price.. In this room Israel
was showing the Triumph with a low-priced Jolida integrated
tube amp and Alchemist Cd-player. This system produced
a wonderfully detailed and smooth sound that had many
shocked when they checked out the sticker prices.
Israel was also showing a new design in the $3000
range called the Grand Master that uses their patented
AWE (Assymetrical Wall Enclosure) construction. Previously,
I had only seen Coincident's speakers in their basic
black which is, well... black. I was shocked to see
the quality of their optional veneer finishes- very,
very sharp! Look for great things from this upstart Canadian company. I hauled home with a beautifully
finished pair of their Troubadour loudspeakers for
Soundstage! review.
Stereophile, December 1996
Canadian Consumer's Electronics Exposition 1996
------------------------------------------------------------------
At the much more modest price of $995 was the
Triumph, from Coincident Speaker Technology. It's
your basic two-way, with a first-order crossover and
hardwood MDF cabinet. Set up in a system costing less
than $3000 (NAD 514 CD player, JoLida integrated amp,
WireWorld cables), the Triumph had a lively, attractive
sound.

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